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Cinematography

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It may have started as a film school assignment, but the short film AWAY quickly became a film school in itself for Zach Zombek (a.k.a. Convolv). Over the course of its three-year production, the demands of the film forced Zach to master everything from cinematography to visual effects to scoring. “That’s one reason we kept the team so small,” Zach told us. “It forced me to learn these things instead of having someone else do them for me.”

It’s funny. One of the reasons we were so excited to talk to the creative husband-and-wife duo Sea Chant was to find out how they’ve cultivated such a distinct visual style. Everything they do is beautiful, colorful, almost hyperreal. They have a consistency of voice that a lot of beginning photographers and filmmakers strive for. But when we asked how they’ve done it, the conversation took a surprising (and great) 90-degree turn. It turns out Andrew and Carissa Gallo have no interest in aesthetic consistency, in voice development — in being “Sea Chant-y.”

We don’t talk about gear very much here on the Musicbed blog, but when we found out our friends Casey Warren and Danielle Warren (a.k.a. MINDCASTLE) had gotten their hands on the first ARRI ALEXA Mini, we wanted to know what they thought of it. As filmmakers, gear is an inextricable part of our creative lives, whether we’re using our iPhones or the latest high-end wonder. So while we don’t like to focus on the equipment of filmmaking too much (plenty of amazing publications are already doing that so well), we can’t help but geek out a little from time to time.