When we sat down to talk with Writer/Director Dionne Edwards about her process, the phrase “it’s hard to explain” kept popping up. It speaks to one of the hard truths behind writing—you really just have to do it. So much of the craft is an intuition you build over more than a few mistakes.
After Ford Vs. Ferrari, Phedon Papamichael, ASC shares about augmenting a vision, restaging historical events, and capturing a different piece of Americana.
The beauty (and terror) of creative projects is that things don’t always go to plan. Funding falls through, actors get sick, and you have to pivot your vision to something new. Then, you have the extreme version of that, which Director/DP/Editor Chris Murphy experienced during the production of YETI’s short film Kekoa.
As filmmakers, we all stand on the shoulders of giants. No matter how original or visionary you think your work is, odds are, you’re re-hashing an idea used by a filmmaker (or two) who’ve also borrowed that same idea from another filmmaker’s work a half-century ago.
The career of cinematographer Ross Emery, ACS, includes a large number of major effects-heavy science fiction films. His latest project, the HBO Max series Raised by Wolves, is his latest venture into sci-fi territory.
Produced under the Scott Free banner and featuring the first episodic TV work by director Ridley Scott, we talked with Emery about rethinking the sci-fi genre, making room for VFX, and post-production during COVID.
Director/Writer Ricky Staub and Producer/Writer Dan Walser are the founding team behind Neighborhood Film Co., a production team who recently released their first feature film Concrete Cowboy. On the other side of the table, we have famed producers Jeff Waxman and Jen Madeloff, who besides producing Concrete Cowboy, have worked on Vice, John Wick: Chapter 3, Mother!, and dozens more.
Not only have the lives of wedding filmmakers been upended during the pandemic; but the countless couples who were to be married this year as well. Yet even in the midst of uncertainty, there have been encouraging lessons to be learned from this year.
Acclaimed director—and Filmsupply filmmaker—Salomon Ligthelm took us behind the scenes of his music video for “Easy”, by Ayia, affording us the chance to watch his creative process unfold in real-time.
In Episode 6 of YouTube Masters, we get a crash course from @Potato Jet on how to keep your videos from becoming boring. See why making good videos consistently—rather than aiming to go viral with your first one—will set you up for success.