This month’s Musicbed Awards Official Selections have been chosen. Watch them here.
In episode #001 of the Musicbed Podcast, Natalie Kingston talks about navigating the Black Bird’s accelerated interview and pre-production process, the value of trusting yourself, getting the most from every rep, and doing a lot with very little.
This month’s Musicbed Awards Official Selections have been chosen. Watch them here.
We talk to a lot of talented filmmakers at Musicbed, but not all of them win Oscars. And we all know that you can be a world-class filmmaker and not take home the golden statue—Spike Lee, Alfred Hitchcock, Sidney Lumet, are a few great examples. In other words, not all great filmmakers have won Oscars. But, we can probably agree on something else: All Oscar-winners are great filmmakers.
With a directorial career now entering its third decade, Coppola has often drawn on her impressive pool of past talented collaborators. On the Rocks features her reteaming with costume designer Anne Ross, editor Sarah Flack and director of photography Philippe Le Sourd.
After Ford Vs. Ferrari, Phedon Papamichael, ASC shares about augmenting a vision, restaging historical events, and capturing a different piece of Americana.
The career of cinematographer Ross Emery, ACS, includes a large number of major effects-heavy science fiction films. His latest project, the HBO Max series Raised by Wolves, is his latest venture into sci-fi territory.
Produced under the Scott Free banner and featuring the first episodic TV work by director Ridley Scott, we talked with Emery about rethinking the sci-fi genre, making room for VFX, and post-production during COVID.