Unlike so many other aspects of filmmaking, what happens in the editing room is as close to magic as you can get. Close to magic, because how exactly do you explain what it is that makes a person want to keep watching something? For Chris Franklin, this magic happens when he’s living and breathing the narrative.
Tom Rolf worked through the transition from analog editing to digital editing and managed to do it without skipping a beat. It proves that a good editor is a good editor, no matter what era.